Father Jerome Tupa Auction

The Collection

Chapter One

The Saint John's Bible

Creation frontispiece from the Saint John's Bible — seven illuminated bands rising out of darkness into gold

In 1998, Saint John's Abbey and University commissioned renowned calligrapher Donald Jackson to do something no Benedictine community had done in five hundred years: create a completely handwritten and illuminated Bible. Fifteen years, six scribes, and 1,127 pages of vellum later, The Saint John's Bible stands as one of the great book-arts achievements of the modern era.

The evening sale offers the complete seven-volume Heritage Edition — one of only 299 sets ever created — and one of the final four Apostles Editions still available for acquisition, alongside hand-numbered folios from the newly released Unbound Collection, including the celebrated Creation frontispiece with its seven bands of creation rising out of darkness into gold.

Live & silent auction · Heritage Edition, Apostles Edition and Unbound Collection folios

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Chapter Two

Bresnahan Pottery

Richard Bresnahan, medium wood-fired stoneware jar from the Johanna Kiln

Richard Bresnahan has been artist-in-residence at Saint John's Pottery since 1979, working in a practice of radical locality: clay dug within five miles of the abbey, glazes made from flax straw and sunflower-hull ash, and firings fueled by deadfall timber from the abbey forest.

His Johanna Kiln is the largest wood-burning kiln in North America. Each firing lasts ten days and marks every vessel with effects no glaze chemist could plan — the kiln itself is the final collaborator. The sale includes a large coiled and paddled jar, a wheat-painted platter and a medium wood-fired jar, each a record of fire and patience.

Live & silent auction · Wood-fired stoneware from the Johanna Kiln

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Chapter Three

An Original Picasso

Pablo Picasso, Toros en Vallauris — black and white linoleum print of a bullfight

The quiet headline of the evening: Toros en Vallauris, an original Picasso linoleum print — the arena, the crowd and the charging bull carved in bold black and white, with signature as present. What sets this impression apart is its provenance: a handwritten certification on the verso by Pierre Raybaud, who witnessed the creation of the original linoleum block itself.

A unique, pre-edition working proof from the estate of Pierre Raybaud himself — his handwritten attestation confirms this sheet as the first print pulled from the freshly carved matrix, before Picasso returned to the blocks to make his final changes. Guests wishing to preview the work privately may write to John@JohnPellegrene.com.

Live auction · Linoleum print (proof impression), Vallauris period, 1954

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Chapter Four

Private Collections

Yusuf Mirumbe, The Face of Hope — oil painting of a seated figure in warm reds and ochres

Rounding out the evening: two deeply felt canvases by painter Yusuf Mirumbe — The Face of Hope, a meditation on unseen battles and the endurance of hope, and Brother, a return to fleeting childhood memories of family and belonging in an African homestead.

Yusuf is a deeply dedicated painter whose work spans landscapes and powerful social commentary. Over years of mentorship with Kenyan and international artists, he has honed a striking, mature style. His paintings are held in collections across the globe — including by Anne Hidalgo, the Mayor of Paris — and he has exhibited in Côte d'Azur, Paris, Germany, Norway, the United States, and at the National Museum of Kenya.

Yusuf is not only an artist but also a mentor and teacher at Alfajiri, where he supports youth in using art as a tool for healing, voice, and transformation.

Live & silent auction · Oil on canvas

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